Working on "Endless Shapes", retitled "Not then Not yet" ,has been the highlight of my year
and one of the highest peaks of my artistic and personal Life . I am pleased that this piece opened to much critical acclaim
.
Tiffany Mills Company returns to The Flea with the world premiere of Not then, not yet, an evening-length work that explores states of transition and transformation.
Choreographer Tiffany Mills’s Not then, not yet, created in collaboration with Puerto Rican composer Angélica Negrón and French vocalist/composer Muriel Louveau, examines states of transition, drawing inspiration from the liminal space between endings and new beginnings. The artists’ initial interest in liminality comes from Mary Shelley’s life and early writing—specifically her examination of the threshold between creation and destruction, integration and isolation. Ruminating on what it means to be in between, the collaborators now look at portals and passageways through a 21st-century lens. Weaving movement, an electronic score, poetry and live vocals, the artists map internal landscapes, as well as external ones ( as they consider the often surreal space one dwells in between past/future, young/old, and even life/death).Negrón's blend of electro-acoustics mixed with classical instrumentation and found sounds, Louveau's extreme vocal registers and foreign influences, and Mills's raw and unhinged movement create a kinetically charged world that speaks to the subconscious.
Not then, not yet features choreography by Tiffany Mills, dramaturgy by Mills’s longtime collaborator Kay Cummings, original composition by Angelica Negrón and vocalist Muriel Louveau, lighting design by Chris Hudacs, and costumes by Pei-Chi Su. Not then, not yet is performed by Mills, Jordan Morley, Kenneth Olguin, Nikolas Owens, Emily Pope, and Mei Yamanaka.
Listen to music samples composed by Muriel Louveau & Angelica Negrón on WNYC .
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